KnE Social Sciences

ISSN: 2518-668X

The latest conference proceedings on humanities, arts and social sciences.

The Symbolic Meaning of the Tjong Yong Hian Gallery Building

Published date: Nov 08 2022

Journal Title: KnE Social Sciences

Issue title: Science and Technology Research Symposium (SIRES)

Pages: 211–221

DOI: 10.18502/kss.v0i0.12331

Authors:

J JulinaFaculty of Humanities, Universitas Sumatera Utara, Indonesia Jl. Universitas No.19 Kampus USU Medan, Sumatera Utara, Indonesia

Vivi Adryani NasutionFaculty of Humanities, Universitas Sumatera Utara, Indonesia Jl. Universitas No.19 Kampus USU Medan, Sumatera Utara, Indonesia

R RudiansyahFaculty of Humanities, Universitas Sumatera Utara, Indonesia Jl. Universitas No.19 Kampus USU Medan, Sumatera Utara, Indonesia

Abstract:

In 1898, Tjong Yong Hian was appointed as the Mayor der Chinezeen, the highest representative of the Chinese community in Medan City. To commemorate all of Tjong Yong Hian’s legacy, there was a gallery building inaugurated at Kejaksaan Street, Central Petisah, Medan Petisah Sub-district, Medan City, North Sumatra, on October 29, 2011. This place is nunique in its architectural symbols and Chinese ornaments. This paper uses Charles Sanders Peirce’s semiotic analysis model known as the ’three-part-triadic’ model. The data analysis technique was carried out in (1) Representamen, (2) Objects, and (3) Interpretants stages. The ornaments in buildings have particular meanings and purposes. These ornaments are seen on entrance gates, walls, doors, windows, roofs, and other places based on the Chinese people’s beliefs, giving meaning to the building and its people.

Keywords: Tjong Yong Hian, architecture, symbolic, galleries, China

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