KnE Social Sciences
ISSN: 2518-668X
The latest conference proceedings on humanities, arts and social sciences.
Overseas Communication and Acceptance of Hou Hsiao-Hsien’s Films-Centering on Franch Cahiers Du Cinéma
Published date: Nov 12 2018
Journal Title: KnE Social Sciences
Issue title: The 2018 International Conference of Organizational Innovation (ICOI-2018)
Pages:
Authors:
Abstract:
The criticism on Hou Hsiao-Hsien’s films of the French magazine Cahiers du Cinéma is an important landscape for oversea propagation of Chinese cinemas. The attention to Hou Hsiao-Hsien lies mainly in his naturalism lens style and realistic poetic characteristics. The present article tries to restore the Cahiers du Cinéma’s critical standpoint, scale and reason on Hou Hsiao-Hsien film, and also answer the three questions: In what ways do the French critics pay attention to the Chinese films? What is their focus? And, why do they keep such a watchful eye on Chinese cinema? The logic and angle as well as the ways of criticism behind their attention can provide many inspirations for Chinese-language cinemas studies.
Keywords: Hou Hsiao-Hsien, Cahiers du Cinéma, overseas communication
References:
[1] Olivier Assayas, Notre reporter en République de Chine, in: Cahiers du Cinéma, 1984.12,n∘ 366:57-59.
[2] Charles Tesson, Cinéma en lac Majeur, in: Cahiers du Cinéma, 1985.10,n∘ 376:IV.
[3] Jean-François Pigoullié. La Voie de la sagesse. in: Cahiers du Cinéma, 1991.4,n∘ 442:72-73.
[4] Antoine de Baecque. Mister Hou et l’expérience du regard. in: Cahiers du Cinéma, 1997.4,n∘ 512:32.
[5] U.S. J.Dudley Andrew.Classical Film Theory[M]. translated by Li Weifeng, Beijing :Beijing World Publishing Corporation, 2013:67.
[6] Olivier Assayas, HHH,portrait de Hou Hsiao-hsien, in: Cahiers du Cinéma, 1997.4,n∘ 512:27-28.
[7] Jean-François Rauger. Naissance d’une nation. in: Cahiers du Cinéma, 1993.6,n∘ 469:18
[8] Jean-François Pigoullié. La Voie de la sagesse. in: Cahiers du Cinéma, 1991.4,n∘ 442: 7