KnE Social Sciences

ISSN: 2518-668X

The latest conference proceedings on humanities, arts and social sciences.

Legal Protection of Copyright on Creative Industrial Work Made by Artificial Intelligence

Published date: Jan 10 2025

Journal Title: KnE Social Sciences

Issue title: The Bandung Creative Movement 2023 – Enhancing Collaboration In Arts, Design And Craft For Sustainable Creative Industries: Technology and Art

Pages: 145 - 152

DOI: 10.18502/kss.v10i3.17908

Authors:

Adrian ZenTelkom University, Bandung

Isroni Muhammad Miraj Mirzaisroni.muhammad@fh.unila.ac.idUniversity of Lampung, Bandar Lampung

Mohamed RazakUniversiti Teknologi MARA, Shah Alam, Selangor

Agit SoebandiUniversity of Lampung, Bandar Lampung

Abstract:

In recent years, technological advancement has been rapid. Artificial intelligence refers to the availability of applications capable of completing tasks involving the imitation of human intellectual processes by computers, particularly computer systems. A major developing concern nowadays is who owns the copyright of images created by artificial intelligence, notably in the Creative Industry. It’s a tricky issue—professional artists are outraged, copyright officials are baffled, and attorneys are preparing to have a field day. The issue lies in the effectiveness regarding the protection of copyright on creative industry work, made by the Artificial Intelligence itself. Since it is a machine/computer system capable of possessing human intelligence in performing complex tasks such as creating creative industrial work, it creates difficulty in how far such protection can be provided for creative industrial work. Therefore, it is difficult to prove the legal aspect of an artwork made by a machine, not by humans.

Keywords: legal protection, copyright, artificial intelligence, creative industries

References:

[1] Dignum V. Responsible artificial intelligence: Designing Ai for human values. IT Union. 2017 Sep;1:1.

[2] Senftleben M, Buijtelaar L. Robot creativity: An incentive-based neighbouring rights approach. New York. USA. Thomson Reuters. 2020;42:797.

[3] Williams B. Painting by numbers: Copyright protection and AI-generated Art. New York. USA. Thomson Reuters. 2021;43(12):786.

[4] Russell S, Norvig P. Artificial intelligence: A modern approach. 3rd ed. USA: Pearson; 2003.

[5] Ashley K. Artificial intelligence and legal analytics: New tools for law practice in the digital age. Cambridge, United Kingdom: Cambridge University Press; 2017. https://doi.org/10.1017/9781316761380

[6] Jackson P. Introduction to artificial intelligence. Courier Dover Publications; 2019.

[7] Carter S. Nielsen M. Using artificial intelligence to augment human intelligence. Distill. 2(12), e9. https://doi.org/10.23915/distill.00009

[8] Samandari H, Cheatham B, Javanmardian K. Confronting the risks of artificial intelligence. McKinsey Quarterly; 2019. Available from: https://www.mckinsey. com/business-functions/mckinsey-analytics/our-insights/confronting-the-risks-ofartificial- intelligence

[9] Haas R. Twitter: New challenges to copyright law in the internet age. Chicago (Illinois): The John Marshall Law School; 2010.

[10] Gillotte JL. Copyright Infringement in AI-Generated Artworks. University of California. Davis: School of Law; 2020.

[11] Morris R. Rembrandt’s turbulent final years. N.Y. TIMES. 2014 Dec 4. Available from: https://www.nytimes.com/2014/12/04/arts/international/rembrandts-turbulentfinal- years.html [https://perma.cc/Z29T-KLS6, cited 2023 June 8]

[12] Liu W, Tao F. Art definition and accelerated experience: Temporal dimension of AI artworks. Philosophies. 2022 Nov;7(127):7.

[13] Stiegler B. Technics and time, 1: The fault of Epimetheus. Redwood City, CA, USA: Beardsworth R, Collins G, Trans.; Stanford University Press; 1998.

[14] Flusser V. Towards a philosophy of photography. London, UK: Reaktion Books; 1983.

[15] Zylinsk J, Hall GP. An Interview with Stelarc. In: The Cyborg Experiments: The Extensions of the Body in the Media Age. New York, USA: 2002.

[16] Benjamin W, Zohn H. Illuminations. New York, USA: Schocken Book; 2007.

[17] Sturm B, Iglesias M, Ben-Tal O, Miron M, Gomez E. Artificial intelligence and music: Open questions of copyright law and engineering praxis. MDPI Arts. 2019 Sep;8(3):2.

[18] Ajao E. Implications of AI art lawsuits for copyright laws. TechTarget. 2023 Feb Available from: https://www.techtarget.com/searchenterpriseai/news/365530156/ Implicationsof-AI-art-lawsuits-for-copyright-laws [cited 2023 June 8]

Download
HTML
Cite
Share
statistics

4 Abstract Views

24 PDF Downloads