KnE Engineering

ISSN: 2518-6841

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Representations of Contemporary Cultural Challenges in Russian Cinema (Based on the Short Film Genre)

Published date: Dec 23 2018

Journal Title: KnE Engineering

Issue title: Facets of Culture in the Age of Social Transition Proceedings of the All-Russian Research Conference

Pages: 73–78

DOI: 10.18502/keg.v3i8.3612

Authors:
Abstract:

The article presents the analysis of the short films included in the competition program of the 28th ‘Kinotavr’ Open Festival of Russian Cinema in 2017. Young Russian cinema is almost entirely concerned with the present, which is everywhere: in the filmmakers’ age; in the cinematic themes, which, as a rule, avoids the past; in a new accelerating tempo; and in the grappling with the challenges of modern culture. In the films we explore here, modernity is complicated, uncertain, unpredictable, and full of new risks. The directors offer different strategies for dealing with the challenges: absurdization, mythologization, open-ended aesthetics.

 

 

Keywords: short film, modernity, uncertainty, unpredictability, human-made risks

References:

[1] Asmolov, A. G. (2015). Psikhologiya sovremennosti: vyzovy neopredelennosti, slozhnosti i raznoobraziya. Psikhologicheskie issledovaniya, vol. 8, no. 40. Retrieved from http://psystudy.ru (accessed on March 25, 2018).


[2] Giddens, A. (2003). Runaway World: How Globalization is Reshaping Our Lives. Routledge.


[3] Lyotard, J.-F. (1994). Posle vremeni: frantsuzskie filosofy postsovremennosti. Inostrannaya literatura, vol. 1, pp. 54–66.


[4] Lotman, Yu. M. (2010). Nepredskazuemye mekhanizmy kul’tury, p. 23. Tallinn: TLU Press.


[5] Taleb, N. N. (2007). The Black Swan: The Impact of the Highly Improbable (first edition). New York, NY: Random House.

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